Duchamp After Unbekannt
Stephen Lauf




2026.09.04
just for the hell of it because...

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List of unbekannt works within Duchamp After Unbekannt
1501. scanning VVV Number 2-3, etc. 035       1502. scanning VVV Number 2-3, etc. 036       1503. scanning VVV Number 2-3, etc. 037       1504. Virtual Painting 463       1505. Virtual Painting 464       1506. zero seven three       1507. DUCHAMP AFTER UNBEKANNT is a work of art that is virtually impossible for the spectator to complete 001       1508. DUCHAMP AFTER UNBEKANNT is a work of art that is virtually impossible for the spectator to complete 005       1509. DUCHAMP AFTER UNBEKANNT is a work of art that is virtually impossible for the spectator to complete 019       1510. DUCHAMP AFTER UNBEKANNT is a work of art that is virtually impossible for the spectator to complete 034       1511. DUCHAMP AFTER UNBEKANNT is a work of art that is virtually impossible for the spectator to complete 035       1512. DUCHAMP AFTER UNBEKANNT is a work of art that is virtually impossible for the spectator to complete 054       1513. DUCHAMP AFTER UNBEKANNT is a work of art that is virtually impossible for the spectator to complete 062       1514. zero seven four       1515. 13082304.db Bye House Distorted perspective       1516. Hypermural for the Altes Museum       1517. scanning VVV Number 2-3, etc. 038       1518. scanning VVV Number 2-3, etc. 039       1519. scanning VVV Number 2-3, etc. 040       1520. scanning VVV Number 2-3, etc. 041       1521. scanning VVV Number 2-3, etc. 042       1522. scanning VVV Number 2-3, etc. 043       1523. zero seven five       1524. zero seven six       1525. 02082401.db rems models plus older stuff       1526. scanning VVV Number 2-3, etc. 044       1527. scanning VVV Number 2-3, etc. 045       1528. scanning VVV Number 2-3, etc. 046       1529. scanning VVV Number 2-3, etc. 047       1530. scanning VVV Number 2-3, etc. 048       1531. scanning VVV Number 2-3, etc. 049       1532. scanning VVV Number 2-3, etc. 050       1533. scanning VVV Number 2-3, etc. 051       1534. scanning VVV Number 2-3, etc. 052       1535. scanning VVV Number 2-3, etc. 053       1536. zero seven seven       1537. zero seven eight       1538. "Inquiring minds want to know"       1539. zero seven nine       1540. zero eight zero . . . . . .



2025.09.04
451 Rhawn Gallery





2020.09.04

Stephen Lauf     Untitled     2020.09.04


Mary Boone's 180 hours of community service   hour 160



2017.09.04

zero eight two



2012.09.04
Architecture and the Lost Art of Drawing
Back in 1986, when I was Intergraph CAD system manager at the University of Pennsylvania's Graduate School of Fine Arts, one of the planning professors recently came back from China with research on some vernacular architecture. He was adamant about drawing up some of his research using CAD, thus I had to quickly train him with at least the basics (which really wasn't my job). Anyway, the professor came in diligently to use his allotted time on the computer, and ultimately produced a pen plot of his 'drawings'. He was so proud, and stupid me didn't even get the reason why until a month later. The reason was obvious and right in front of me the whole time--the professor only had one hand with limited dexterity, and he couldn't draw except with the aid of a computer.
Odd that Michael Graves, who is himself now disabled and confined to a wheelchair, does not realize that computers have opened up the opportunity to draw to a whole range of people that couldn't do it otherwise.



2009.09.04
Process is more important than product
process as discovery?
process as justification?
process as catharsis?



2003.09.04
Re: CFP: Museums and the Web 2004
... There's nothing fancy about the display, but I like the effect of "going through a museum" on a day by day, as opposed to room by room, basis.
[Thinking just now:] a calendrically mnemonic museum design.



2001.09.04
Philadelphia Museum of Art

Zoe Leonard     Strange Fruit (for David)     1992-97



















1977.09.04
September 4, 1977. Sunday, Rome
[This now was for sure my last full day in Rome, and I have no idea of what I did that day.]
Italian Study Tour Sketchbook



1967.09.04
1967. Monday, Cadaqués
Writes to Richard Hamilton proposing that he and Teeny travel to London on 15 October so that they can "stay and work Monday and Tuesday, and leave for New York from London Wednesday." For this edition [9.8.1967], Marcel says he prefers the formula "D'après Marcel Duchamp, Richard Hamilton" instead of "Après".
Ephemerides



1936.09.04
1936. Thursday, at sea
"'Rolling' on a very calm sea--wonderful weather," writes Dee aboard the Normandie. Thanking Miss Dreier for the telegram and the fruit from her sister, and providing her with the addresses of Piet Mondrian and Roché, Dee says: "Again I think of the wonderful weeks at The Haven..." Then, referring to all his works made a decade or two ago, which he has had a chance to see again while visiting Louise and Walter Arensberg [6.8.1936] and the ones he is satisfied to have repaired and restored while staying with Miss Dreier [29.8.1936], he declares: "this trip has really been a wonderful vacation in my past life. I don't feel like the people who don't dare touch a past for fear of regretting. It was very objective: vacation in past time instead of a new area." Promising to write from Paris, he then adds in French, "toujours affectueusement, Dee."
Ephemerides




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Duchamp After Unbekannt



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Stephen Lauf © 2026.09.04