2026.09.04
just for the hell of it because...
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List of unbekannt works within Duchamp After Unbekannt
1501. scanning VVV Number 2-3, etc. 035
1502. scanning VVV Number 2-3, etc. 036
1503. scanning VVV Number 2-3, etc. 037
1504. Virtual Painting 463
1505. Virtual Painting 464
1506. zero seven three
1507. DUCHAMP AFTER UNBEKANNT is a work of art that is virtually impossible for the spectator to complete 001
1508. DUCHAMP AFTER UNBEKANNT is a work of art that is virtually impossible for the spectator to complete 005
1509. DUCHAMP AFTER UNBEKANNT is a work of art that is virtually impossible for the spectator to complete 019
1510. DUCHAMP AFTER UNBEKANNT is a work of art that is virtually impossible for the spectator to complete 034
1511. DUCHAMP AFTER UNBEKANNT is a work of art that is virtually impossible for the spectator to complete 035
1512. DUCHAMP AFTER UNBEKANNT is a work of art that is virtually impossible for the spectator to complete 054
1513. DUCHAMP AFTER UNBEKANNT is a work of art that is virtually impossible for the spectator to complete 062
1514. zero seven four
1515. 13082304.db Bye House Distorted perspective
1516. Hypermural for the Altes Museum
1517. scanning VVV Number 2-3, etc. 038
1518. scanning VVV Number 2-3, etc. 039
1519. scanning VVV Number 2-3, etc. 040
1520. scanning VVV Number 2-3, etc. 041
1521. scanning VVV Number 2-3, etc. 042
1522. scanning VVV Number 2-3, etc. 043
1523. zero seven five
1524. zero seven six
1525. 02082401.db rems models plus older stuff
1526. scanning VVV Number 2-3, etc. 044
1527. scanning VVV Number 2-3, etc. 045
1528. scanning VVV Number 2-3, etc. 046
1529. scanning VVV Number 2-3, etc. 047
1530. scanning VVV Number 2-3, etc. 048
1531. scanning VVV Number 2-3, etc. 049
1532. scanning VVV Number 2-3, etc. 050
1533. scanning VVV Number 2-3, etc. 051
1534. scanning VVV Number 2-3, etc. 052
1535. scanning VVV Number 2-3, etc. 053
1536. zero seven seven
1537. zero seven eight
1538. "Inquiring minds want to know"
1539. zero seven nine
1540. zero eight zero . . . . . .
2025.09.04
451 Rhawn Gallery

2020.09.04

Stephen Lauf Untitled 2020.09.04

Mary Boone's 180 hours of community service hour 160
2017.09.04

zero eight two
2012.09.04
Architecture and the Lost Art of Drawing
Back in 1986, when I was Intergraph CAD system manager at the University of Pennsylvania's Graduate School of Fine Arts, one of the planning professors recently came back from China with research on some vernacular architecture. He was adamant about drawing up some of his research using CAD, thus I had to quickly train him with at least the basics (which really wasn't my job). Anyway, the professor came in diligently to use his allotted time on the computer, and ultimately produced a pen plot of his 'drawings'. He was so proud, and stupid me didn't even get the reason why until a month later. The reason was obvious and right in front of me the whole time--the professor only had one hand with limited dexterity, and he couldn't draw except with the aid of a computer.
Odd that Michael Graves, who is himself now disabled and confined to a wheelchair, does not realize that computers have opened up the opportunity to draw to a whole range of people that couldn't do it otherwise.
2009.09.04
Process is more important than product
process as discovery?
process as justification?
process as catharsis?
2003.09.04
Re: CFP: Museums and the Web 2004
... There's nothing fancy about the display, but I like the effect of "going through a museum" on a day by day, as opposed to room by room, basis.
[Thinking just now:] a calendrically mnemonic museum design.
2001.09.04
Philadelphia Museum of Art

Zoe Leonard Strange Fruit (for David) 1992-97
1977.09.04
September 4, 1977. Sunday, Rome
[This now was for sure my last full day in Rome, and I have no idea of what I did that day.]
Italian Study Tour Sketchbook
1967.09.04
1967. Monday, Cadaqués
Writes to Richard Hamilton proposing that he and Teeny travel to London on 15 October so that they can "stay and work Monday and Tuesday, and leave for New York from London Wednesday." For this edition [9.8.1967], Marcel says he prefers the formula "D'après Marcel
Duchamp, Richard Hamilton" instead of "Après".
Ephemerides
1936.09.04
1936. Thursday, at sea
"'Rolling' on a very calm sea--wonderful weather," writes Dee aboard the Normandie. Thanking Miss Dreier for the telegram and the fruit from her sister, and providing her with the addresses of Piet Mondrian and Roché, Dee says: "Again I think of the wonderful weeks at The Haven..." Then, referring to all his works made a decade or two ago, which he has had a chance to see again while visiting Louise and Walter Arensberg [6.8.1936] and the ones he is satisfied to have repaired and restored while staying with Miss Dreier [29.8.1936], he declares: "this trip has really been a wonderful vacation in my past life. I don't feel like the people who don't dare touch a past for fear of regretting. It was very objective: vacation in past time instead of a new area." Promising to write from Paris, he then adds in French, "toujours affectueusement, Dee."
Ephemerides
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