2026.04.12
Unbekannt Duchamp Exhibitions in a Virtual Museum
 
Stephen Lauf Virtual Museum 040 2003.09.06
   
Stephen Lauf Virtual Museum 041 2003.09.06
 
Stephen Lauf Virtual Museum 042 2003.09.06
   
Stephen Lauf Virtual Museum 043 2003.09.06
2024.04.12
a work within This One's for George
2005.04.12
Gordon Matta-Clark Room 1
2002.04.12
3D CAD databases
2000.04.12
Readymade Changed 01
Readymade Changed 02
1967.04.12
1967. Wednesday, Rouen
In the morning, Duchamp arrives from Paris to supervise the hanging of the exhibition, "Les Duchamps," at the Musée des Beaux-Arts. Smiling and relaxed, the survivor of the artists in the family decides the exact position of each work in the show with the curator, Mlle Olga Popovitch
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"I love museums. At Philadelphia I have been in the museum for 20 years..."
Ephemerides
1962.04.12
1962. Thursday, New York City
After an initial approach by William Seitz [19.10.1961], Thomas W. Leavitt, director of the Pasadena Art Museum, formally proposes to arrange an exhibition of Duchamp's "most important paintings and other work in this country". As the majority of his works are in the Philadelphia Museum of Art, the possibility of assembling such an exhibition depends on their cooperation and Leavitt has already written to Henri Marceau.
In reply to Leavitt's query about other collections of his work in the United States, Duchamp claims that there are not many. Yale University Art Gallery has a few works, the Pierre Matisse Gallery has the large canvas Réseaux des Stoppages [19.5.1914], and Jeanne Reynal owns the first drawing in perspective [22.10.1913] of the Large Glass. As the proposed dates for Pasadena, 12 May to 23 June 1963, coincide with a "revival" of the Armory Show at the Munson-Williams-Proctor Institute, Duchamp suggested they be revised.
Ephemerides
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