2026.05.28
Gallery Yes
aka Gallery [wh]Y[?]
Do I hear 700 . . . 750?
The "Chronology" within the Marcel Duchamp exhibition catalogue ends with: Schwarz's The Complete Works of Marcel Duchamp is published at the end of the year [1969]; this first edition of that catalogue raisonné lists 411 works. Schwarz delayed the release of the publication to accommodate the addition of Étant donnés, about which he learned in January. Three decades later, the revised and expanded third edition of the catalogue (2000) lists 663 works by the artist.
List of unbekannt works within Duchamp after Unbekannt: 1. Crack Scam 012 2. Crack Scam 013 3. Crack Scam 015 4. Crack Scam 023 5. Crack Scam 026 6. Crack Scam 027 7. Crack Scam 030 8. Crack Scam 032 9. Ottositions 2 10. Fartorum 11. Cenotaph of Gordon Matta-Clark 12. The operation was a success . . . 13. Sloppy Seconds 14. his alter-ego...a perfume bottle 15. zero two seven 16. zero two eight 17. Curatorium 18. image play: urinal 19. image play: bless you 20. image play: bachelorstephen 21. longitudinal section calling card 22. Muse Shrine: Pope Popejoy the First 23. zero three zero 24. architecture will be like multiple choice... 25. With Hidden Easter Egg 26. The Short-Lived Tail[end] of David and Goliath 27. There's Something Strangely Right About This 28. zero three one 29. zero three two 29. Zany House 001 plan 30. 26042401.db museum in a box 31. Genesis 1:3 (altar peace) 32. Ridiculously Expensive 33. Diptych of Summer 2001 34. Quaestio Abstrusa background 027 35. Square Poem 79 . . . . . .
2025.05.28
451 Rhawn Gallery
    
Virtual Painting 473 through Virtual Painting 481 2017.10.07
Virtual Painting 526 through Virtual Painting 535 2020.05.26
2024.05.28
a work within This One's for George
page painting 171
taking a walk
Chestnut Tree Allee
As I was finishing my walk around (the perimeter of) Fox Chase Farm
2023.05.28
taking a walk
around the perimeter of Fox Chase Farm
2022.05.28
a work within This One's for George
page painting 158
From The Discovery of Piranesi's Final Project:
28 May 2022 Saturday
The discovery of Giovanni Battista Piranesi's final project occurred 28 May 2022, late that Saturday night when again I was rehearsing an imaginary interview, with Orhan Ayyüce elseplace conducting. "The erasure and re-etching of the Circus Maximus plan within the 'Pianta dell antico Foro Romano' clearly exhibits completeness and a job well done, whereas the erasure and re-etching of all the circus plans within the 'Ichnographia Campus Martius' exhibits incompleteness and a job somewhat poorly done, yet together, all these erased and re-etched circus plans point toward a work-in-progress interrupted by Piranesi's death . . . [and then it dawned on me] . . . hence the inadvertent manifestation of Piranesi's final project!"
Circus Maximus
first state
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Circus Maximus
second state
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Circus of Caligula and Nero
first state
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Circus of Caligula and Nero
second state
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As a title, "The Discovery of Piranesi's Final Project" definitively précises all the research and thinking having been done to figure out why and when Piranesi erased and re-etched all the ancient Roman circus plans he had already drawn/etched and published. The trajectory of all the study and investigation, in one fell swoop, became obvious and clear. It was now time to collect all the essential imagery and commit the explanatory-scenarios-in-my-head to text.
2020.05.28
Mary Boone's 180 hours of community service hours 90 91 92 93 94
2017.05.28
Virtual Painting 288
2016.05.28
"Technology is a cruel tool" -Peter Eisenman
Eisenman uses 'resistance' as an example of something that cannot be attained through a design algorithm, thus inferring that a design of 'resistance' can only be attained via designing without the aid of a computer(?). He's just making something sound important when, in fact, it's nothing important at all.
It's fine if Eisenman chooses to design with the intention of manifesting resistance, but his design choices have no bearing at all on how one designs while using algorithms. Again, all he's really doing is trying to make the way he designs more important than the way students (supposedly) design via algorithms today.
Essentially, everything that Eisenman here riles against is just a straw man set up to make his way of doing things appear more important.
"Technology is a cruel tool" -Peter Eisenman
It's beginning to seem more sensible that taking an algorithm, and producing 50 alternatives to the same problem is exactly what engenders the possibility of value judgment. It makes sense because you start to discern differences, opportunities, advantages vs. disadvantages, even what looks better. Yes, a nimiety of value judgment possibilities.
2014.05.28
2D CAD database
14052802.db Casa Unbekannt plan
2007.05.28
2D CAD database
07052803.db Gooding Trice House perspectives
1961.05.28
1961. Sunday, New York City
After learning from Henri Marceau that the new hanging of the Arensberg Collection in Philadelphia is progressing [5.5.1961], Duchamp writes: "Unfortunately we must wait until the autumn to see the final result..." He gives his address in Cadaqués "if by chance" Marceau goes to Spain.
Ephemerides
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