Duchamp After Unbekannt
Stephen Lauf




2024.11.19

The Timepiece of Humanity Gauge at Star Vengence   GES-2 House of Culture, Moscow   19 October 2023 - 21 January 2024


451 Rhawn Gallery



2016.11.19
Only one student enrolled in a Yale course about women architects, despite grievances against poor representation
Put the entire seminar online for free for everyone. Why should the semination of this "knowledge" be dependent upon how many students are willing pay several thousands of dollars per credit for? Surely Yale can afford to do it. Perhaps courses on diversity deserve a diversity of output solutions.



2011.11.19
Quondam's Fifteenth Anniversary
"And we become these human jukeboxes, spilling out these anecdotes."
--Six Degrees of Separation
As memory serves, I've only met her twice. Once at a bon voyage party and once at a small dinner. Both in late summer 1993 and both at the same house in Manayunk, Philadelphia. I was still standing in front of this large painting after Robert Venturi asked "Is this by someone?" "Yeah, me." She came up to me afterwards and said, "So you're the artist." Apparently she loved the painting.

She went on about it's sexuality and ambiguity, androgyny and juxtapositions, and I don't remember what else. Later, in the kitchen, I heard her pronouncing "Benjamin" in German and pronouncing "Barthes" like she just bit her tongue. I interjected, "You know Barthes said "laughter is a substitute for castration." She burst out laughing, and yelled over to her husband, "Barthes said laughter is a substitute for castration!" He did not laugh, and I think I know why.
Maybe like a month later, she dominated the conversation at the small dinner. There was lots of architecture talk. She or someone she knew was collecting all the latest in architectural jargon. "So what are some of the words?" She wouldn't (or couldn't) say. And then there was talk of the Italian Rationalists. "Don't forget Sartoris." "Oh! Sartoris! You know he's still alive!?" Towards the end, her husband said he'd like to do an in-depth study of VSBA's domestic architecture. "How about the Brant House Addition?" "Wow, now there's an obscure project."
[Lavin now calls it Kissing Architecture; Quondam has been calling it Appositions.]
Anthony Vidler was moving to LA, and the host of the party and dinner was moving to NYC. She got the host to sublet Vidler's NYC apartment.
2003.06.05 14:25
Re: Anthony Vidler on Gordon Matta-Clark
I spent an October 1994 weekend in Vidler's NYC/Chelsea studio apartment (a very restrictive space), while a large painting of mine, Taken Literally, 1992 spent over two years there--a friend of mine sublet the place when Vidler first started teaching in LA. Vidler spent at least one week living with the painting himself, and I've often wondered if he got all the art and architectural references. There's even a sliced portion of a building, but I didn't know of Matta-Clark back then.
It was in Vidler's apartment that I first saw The Architectural Uncanny, and, after seeing the chapter "Losing Face," it was indeed uncanny that a painting including a depiction of Schinkel's Altes Museum and Stirling's Museum for Nordrhein-Westfalen was hanging on Vidler's apartment wall at the same time. After reading "Losing Face", it turned out the analysis was still lacking, and, ultimately at Quondam, the face was put back on.
The last two chapters of The Writing of the Walls--steps on the way to Quondam.
Most recently, it's too bad Vidler doesn't include Le Corbusier's International Planning Competition for Berlin in his analysis of Stirling's Roma Interrotta.
Incidentally, every instance of Le Corbusier's Museum for Unlimited Growth is listed within Colomina's "The Endless Museum: Le Corbusier and Mies van der Rohe" (Log 15) except for the last instance, which is within the International Planning Competition for Berlin.



2009.11.19
The current state of Architecture Theory
Computers are not competing with thinking.
For the sake of the argument here, computers greatly augment/assist instinctive/intuitive design thinking. Designing instinctually/intuitively doesn't mean you're designing without thinking.



2007.11.19
the official sketch thread

landscape design for Battery Park City, 1986.10.06
...the rectangle with dots in lower center represents a raised platform the size of the largest elevator of the World Trade Center on top of which are as many life size nude human statues that would fit with then a trail of nude human statues meandering through the park and out into the Hudson River.



2006.11.19
OTTOpiaaipOTTO

45


51


63


68



2004.11.19
ideas
Chronosomatic architecture: circle/square juncture plans, Washington DC 1981, chronosomatic imaginations; could be the next chapters, including architecture of the body and architecture of the theory itself; architecture of the continuum; of course, go through all the notes including BIA. "Architecture of the imagination" as in "there is an architecture to the imagination."
Design some new double basilicas; write the history; ask today's architects what the new double basilicas might be? Arab-Israeli? Catholic-Protestant? Again Latin-Greek?
Architecture is the most 'project' based of the arts. Is there such an established category as "project art"?




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Duchamp After Unbekannt



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Stephen Lauf © 2025.11.19